Monday, 30 April 2012

Discussing Qualities

Assessing my samples there are a few which have worked the best, and have qualities I plan on further developing. The first, laser cutting- although I haven't actually produced any samples of my own using the machine, seeing the samples that were on show there and other garments I have seen previously have lead me to believe that the outcome will be very effective.
The second is the Embelisher machine- the idea of bonding two fabrics together produces some very interesting effects, the machine also gives the fabrics a withered look and can bring pattern through ever so slightly onto a plain fabric.
The third is print- the first screen I had made ripped a bit so the technician has made me a second. tomorrow im going to experiment with the ideas of layering the screen printing using different colours, flock, and foils. From now on im going to focus (for the most part) on using blue and different shades of the colour. One such print im going to experiment with, was the printing onto bondaweb and then ironing the material on. Im thinking if I don this and iron it onto printed fabric i will get a better effect (the colour showing up more).

Sunday, 29 April 2012

Indigo dying


With some of the left over fabric from altering the length of the shorts I experimented with indigo dying, seeing as it is polyester I wasnt to sure how it would work out so I did another at the same time using different fabric. The samples are slightly dyed, but not all that much they just look a bit dirty, so im going to try again but use all natural fabric !

Shorts- Deconstruction

I have taken to a pair of shorts that were donated to us, Im not sure if its the feel of the fabric, cut or purely the colour that has drawn me in. But im planning on using them for a potential finally outcome piece. On Friday I was inducted to the laser cutter and im planning on using these shorts as fabric. Ive taken them apart and recorded through image, the process. Im thinking of using one of the designs ive been experimenting with, but we'll see if it goes as well as im hoping it will !

Rubbing samples



Using an image I had drawn, I went over it with tulip pen- giving the image a 3-d effect once dried, I used it as a stencil. The first samples are on the plain white donated sheets and the others on donated clothing (2 tops in particular ive experimented with before) on all samples I used oil pastel. It was the only medium that would leave a bright bold line, even on top of the dark back ground.

Bondaweb sample

Once again using screen printing I printed the same image ive been working with, but instead of printing it onto fabric, I printed it onto 'bonda web'. The bondaweb went all wrinkly which made it difficult to peel the backing off once I had ironed it on, but it turned out to be very effective, and gave it a bit of a withered look. I ironed the bondaweb on two different types of fabrics; one light blue spanex-y fabric with a bubble effect on it, and the other a blue polyester. Both samples turned out very well and im thinking of working with it more, because the image has been printed onto bondaweb the colour stayed very vibrant no matter what is below, my theory is that if I iron some other images onto fabric with a pre-exisitng pattern behind it that the image may show up better.





Wet print - Islamic window inspiration


Taking inspiration from an image of Islamic windows I saw at the V&A, I designed another screen. The image worked out really well on the donated bed sheets, but when I tried to print it onto a fabric with a pattern the image did not show up at all, even after two layers. I think this happened because the paint was not thick enough, and was to light to show up against the dark fabric, I still like the idea of the design on top of a patterned fabric so im going to see I i can get my hands on some neon paint, and hopefully it will be thick enough and bright enough to show up.

Blue wet print samples


Another selection of screen printing except in blue- the first image is the same image as before just double layered using a slightly darker blue (printed on twice). On the second image im thinking of layering it with a fabric thats got a pre-exisitng print on it (donated top) and bonding them together using the embelisher. 

Wet Print samples



Using an enlarged image of one a drawing I started to experiment using screen printing. I started off using orange, the image worked very well on the donated bed sheets, then decided to print on a fabric that already had a print on it (one of the tops donated) when it was wet the print showed up very well but once it dried the paint was opaque, it did not turn out as well as I had hoped, but im going to try again and try a different colour that is darker and thicker.

Embelisher samples

Using the clothing donated to us, I started bonding them together (printed fabrics with plain ones) fabrics that frayed worked better, the sample layering an orange jumper and a printed top worked the best, the side with the print had some orange elements and on the reverse side the print came through onto the orange jumper.



Ive used these samples for the 'Dress Code' project our group is also working on, I gained inspiration for these samples from my visit to Whitechapel. I was exploring ideas of clashing cultures, layering, and hidden places. The picture below is the image which most inspired me.

Transfer paints samples




Working with the drawn images, I experimented printing (again) but using fabric transfer paints….the colour turned out bold and bright how ever- the lines were not straight and there were smudges. I will have to try some out possibly using a screen, printing onto paper then ironing the image onto fabrics (maybe ones with existing patterns on them as I had tried before- might be more effective with transfer paints because there brighter).
A bit of an issue I ran into while doing the other samples was that the transfer paper and the transfer inks work better on synthetic fabric rather than natural ones, these and the previous transfer paper samples are all printed onto 100% polyester.

Heatpress samples - did work



Out of all of the samples these were the best, using the transfer paper gave an effective all over coverage of colour and allowed me to very preciously translate the hand drawn images onto fabric. Although, and im not sure if it was because I had not left the images and papers on the heatpress long enough or if the papers were just to old to bond correctly but, the prints turned out dull almost, and very light. where as when I have used them before they came out very bold and bright.

Heatpress Samples - did not work

Using transfer paper I began to experiment with the images I had drawn previously (seen above). More than half of the samples did not turn out, if they had worked I would have been left with a negative and positive image of each image....although they did not work, possibly because the transfer papers were to wrinkled or possibly to old. The image above is an example of the images that did not work out. As I said before most of the samples did not work out very well, originally I used a natural cotton fabric to print the images onto- these especially did not work, this is because they were natural fibers- the transfer papers work better on synthetic fibers, I ended up getting some pure polyester fabric and using that.

Pencil designs



 Pencil design ideas- The inspiration for these designs was taken from images collected from the library. To get more designs out of these images, I have reduced them and made repeat patters out of them, and also enlarged the images as to zoom into detailed sections.

Tuesday, 24 April 2012

LIBRARY visit

At this point I felt I had no proper history of textiles from the Bengal, I was curious about what traditional methods were valued, techniques, and designs. After a trip to the library I was stacked with information! They are known for their fine weaving of fabrics, embroidery, and quilting. I also had no idea they the Bengali people have been manufacturing textiles for centuries particularly to the Portuguese, but also many other places. I have put most of the information about this in my technical file, so I can reference it but i will put up a few images. 



Info on Bengal religion

I was doing some research into the religions that people follow in Bangladesh, and surprisingly 89.5 % of the population is Muslim followed by Hindus who account for 9.6 % and the rest are Hindus, Buddhist, and Cristian. I find this so surprising because Bengal is so close to India I assumed they would have similar, if not the same religion.

British Museum Visit- Bengali artifcats







This time round before going tot the museum I had a look online to see first if they had any artifacts from the area im looking into, so I wouldn't essentially waste my time like previously at the V&A. These images above are a selection of items that originate from Bangladesh: a series of religious Gods, religious 'stamps' and emblems. There still wasn't a wide rage (as seen in the Indian section) but still more than they had at the V&A.

Islamic Window Designs



These beautifully carved "windows" I saw when in the V&A. Recently I have been working with these images and today had a screen made, taking inspiration from the first image. They are so intricate yet simple. I have planes of taking these classic examples and expressing them through modern screen printing - possibly using neon green paint layered on top of a garishly patterned fabric- also there is possibilities with just printing on white and bonding the new material to and existing one by using the embellisher.

Natural History Museum - Adaptations some fish have to make

At the NHM I had a look at the ecology section and came across a really bazaar fish, that goes into the ground to survive. The fish will squish its self into the mud below the former water source it was living in, this is amazing that this fish has figured out away to overcome his problems (water drying up) and gone lower into the earth to soak up enough water to survive. This though is intriguing, it made me wonder about what adaptations we in the future will have to make to survive in the potentially hostile environment we may face.



V&A cup design

 Print on everyday objects, it puts traditional prints in a different context

Visit to the Natural History Museum- ROCKS AND MINERALS

while in London i went down to the Natural History Museum. I had a look around but didn't find much that was relevant or that I was Particularity interested in. However.....I went into my favorite room there.....The Rocks and Mineral section. It is a dull mundane room,  nothing but large glass and wood cases line it. It is whats inside these display cabinets which attracts me to them, they are filled with  piercingly bright, textures and obscure rocks/minerals. It amazes me that something so natural can be so colourful! Ill only put a few up because not all of them will fit ! Im thinking that with these images ill be able to get colour inspiration, and possibly design ideas from them.